Alastair
Reynold’s Revelation Space is a
brilliant first novel. The story’s
central figure, archeologist Dan Sylveste, has spent decades researching the
Amarantin. The Amarantin were a
civilization on the verge of spaceflight when their sun flared up and wiped out
their entire race. The Event, as it is
referred to by Amarantin researchers, was deemed little more than a cosmic
hiccup. Sylveste believes otherwise, and
is devoted to discovering what really brought about the end of Amarantin
civilization. What follows is a story of
truly epic scope and presumably dire consequences for humanity in the sequel
novels.
Revelation Space opens with three seemingly
unrelated narratives, and it is the earliest parts of the novel that are
weakest. Sylveste has just found an
Amarantin obelisk. Former soldier turned
assassin, Khouri, is on the hunt. By the
26th century, the rich and bored have taken to having assassins come
after them in a competition of sorts, survive or die. The last protagonist is Volyova, the tech
specialist for a crew of Ultras, cybernetic space pirates essentially. Volyova and company are on a mission to find
a cure for their captain who has succumbed to a cyber-organic illness referred
to as the Melding Plague. For the first
hundred or so pages, Sylveste’s storyline is by far the most interesting, the
other two storylines seemingly inconsequential.
Khouri and Volyova’s storylines
eventually begin to intertwine with Sylveste and it is here where the novel
really begins to pick up. Khouri
infiltrates Volyova’s ship in hopes of killing Sylveste. Unlike her earlier assassinations, this one
is no rich man’s game. Her employer has
a vendetta against Sylveste that is only slowly revealed over the course of the
novel. It is through Khouri that the
reader first gets a glimpse of the Dawn War, Inhibitors, and what Sylveste’s
research could mean for the entirety of humanity. However, just went it seems all will be
revealed, Reynolds expertly darts away from the topic, keeping the suspense
going. Volyova’s conflicts were her
corrupt crew and dealings with her infiltrator are no less fascinating.
When the full history of the Dawn
War and its aftermath is revealed, the implications are staggering. The only survivors of the Dawn War, the Inhibitors
have spent countless millennia systematically wiping out and preventing the
evolution of life in the universe. But
now their machines are beginning to fail, and civilizations like humanity and
the Amarantin are rising. How many other
civilizations are there still in existence?
Whether or not Sylveste triggered the Inhibitor device at the end of the
novel is left unclear, but given that there are sequels, it’s safe to assume he
did. Which begs the question, how will
humanity fare against a race that has been eliminating life since before
humanity’s ancestors first walked on two legs?
Sylveste’s ending is lackluster,
but a minor gripe with what was a very enjoyable read. Sylveste has become one with the matrix of a
giant stellar supercomputer created by the Inhibitors. The parallels to an afterlife are obvious,
but it’s a disappointing ending to a character’s galaxy spanning journey.
Revelation Space is most certainly a successful first novel, and
would make a fantastic addition to any science fiction reader’s library. Despite a slow start and a disappointing
ending for its central figure, the novel is a compelling look at the Fermi
paradox and humanity’s place in the universe.
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